[FREE DOWNLOAD PDF] The Harriet Lane Handbook: Mobile Medicine Series, 21e 21st Edition
[FREE DOWNLOAD PDF] Harry Potter and the Cursed Child, Parts 1 & 2, Special Rehearsal Edition ScriptDOWNLOAD "The Eighth Story. Nineteen Years Later.Based on an original new story by J.K. Rowling, Jack Thorne and John Tiffany, a new play by Jack Thorne, Harry Potter and the Cursed Child is the eighth story in the Harry Potter series and the first official Harry Potter story to be presented on stage. The play will receive its world premiere in London’s West End on July 30, 2016.It was always difficult being Harry Potter and it isn’t much easier now that he is an overworked employee of the Ministry of Magic, a husband and father of three school-age children.While Harry grapples with a past that refuses to stay where it belongs, his youngest son Albus must struggle with the weight of a family legacy he never wanted. As past and present fuse ominously, both father and son learn the uncomfortable truth: sometimes, darkness comes from unexpected places."
From School Library Journal
Playwright Thorne and director Tiffany (who previously collaborated on Hope and Let the Right One In) worked with J.K. Rowling to extend the "Harry Potter" universe with an eighth "installment" in the form of the script from the new West End production. The book starts where the last chapter of Deathly Hallows left off—19 years after the main events of the series—with Harry, Ginny, Ron, and Hermione all saying goodbye to their children as they leave for Hogwarts. As Albus, Harry and Ginny's youngest son, attends Hogwarts, he is plagued by the Potter legacy—something he never wanted—and, as he's sorted into Slytherin, is terrible at Quidditch, and constantly compared to his famous father, he becomes reclusive and angsty. His sole friend is Scorpius Malfoy, the only son of Draco Malfoy—prompting further separation from his father. When Albus hatches a plot to go back in time to save the life of Cedric Diggory—what Albus views as the biggest mistake his father made—time becomes distorted and Harry is left to examine his own life, his relationship with his son, and how love can sometimes be much more complicated than it seems. This is an interesting extension of the "Harry Potter" universe, but readers should go into it knowing that it's its own beast. Rowling didn't write it (much to the fury and vitriol of many fans), and it is in script form, so it loses some of the magic that won over millions of readers back when it all began. However, many of the themes that made the original series great are still in abundance—love and friendship conquering all, facing your flaws and accepting them—so that it simultaneously still feels like a "Harry Potter" tale while remaining its own story. VERDICT It is unlikely that the script will create new Potter followers, owing to its format (reading a script vs. reading a novel is a whole other ballgame), but it's a well-crafted and enjoyable read.—Tyler Hixson, School Library Journal
Praise for Harry Potter and the Cursed Child, Parts I and II* “Series fans can breathe easy knowing this play has been respectfully and lovingly wrought. Tensions thrum, spells fly… but at center stage, as always in the Potterverse, is the overriding importance of love and friendship, especially in the face of danger.” -- Booklist, starred review
The Underground Railroad (National Book Award Winner) (Oprah's Book Club): A NovelDOWNLOADThe National Book Award Winner and #1 New York Times bestseller from Colson Whitehead, a magnificent tour de force chronicling a young slave's adventures as she makes a desperate bid for freedom in the antebellum SouthCora is a slave on a cotton plantation in Georgia. Life is hell for all the slaves, but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood—where even greater pain awaits. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Matters do not go as planned—Cora kills a young white boy who tries to capture her. Though they manage to find a station and head north, they are being hunted. In Whitehead’s ingenious conception, the Underground Railroad is no mere metaphor—engineers and conductors operate a secret network of tracks and tunnels beneath the Southern soil. Cora and Caesar’s first stop is South Carolina, in a city that initially seems like a haven. But the city’s placid surface masks an insidious scheme designed for its black denizens. And even worse: Ridgeway, the relentless slave catcher, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom. Like the protagonist of Gulliver’s Travels, Cora encounters different worlds at each stage of her journey—hers is an odyssey through time as well as space. As Whitehead brilliantly re-creates the unique terrors for black people in the pre–Civil War era, his narrative seamlessly weaves the saga of America from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once a kinetic adventure tale of one woman’s ferocious will to escape the horrors of bondage and a shattering, powerful meditation on the history we all share.
WINNER OF THE 2016 NATIONAL BOOK AWARD#1 NEW YORK TIMES BESTELLERONE OF NEW YORK TIMES BOOK REVIEW'S TEN BEST BOOKS OF 2016 “Get it, then get another copy for someone you know because you are definitely going to want to talk about it once you read that heart-stopping last page.” --Oprah Winfrey (Oprah's Book Club 2016 Selection)“[A] potent, almost hallucinatory novel... It possesses the chilling matter-of-fact power of the slave narratives collected by the Federal Writers’ Project in the 1930s, with echoes of Toni Morrison’s Beloved, Victor Hugo’s Les Misérables, Ralph Ellison’s Invisible Man, and brush strokes borrowed from Jorge Luis Borges, Franz Kafka and Jonathan Swift…He has told a story essential to our understanding of the American past and the American present.” --Michiko Kakutani, The New York Times “Think Toni Morrison (Beloved), Alex Haley (Roots); think 12 Years a Slave…An electrifying novel…a great adventure tale, teeming with memorable characters…Tense, graphic, uplifting and informed, this is a story to share and remember.” --People, (Book of the Week)"With this novel, Colson Whitehead proves that he belongs on any short list of America's greatest authors--his talent and range are beyond impressive and impossible to ignore. The Underground Railroad is an American masterpiece, as much a searing document of a cruel history as a uniquely brilliant work of fiction." --Michael Schaub, NPR“Far and away the most anticipated literary novel of the year, The Underground Railroad marks a new triumph for Whitehead…[A] book that resonates with deep emotional timbre. The Underground Railroad reanimates the slave narrative, disrupts our settled sense of the past and stretches the ligaments of history right into our own era...The canon of essential novels about America's peculiar institution just grew by one.” --Ron Charles, Washington Post
About the Author
Colson Whitehead is the New York Times bestselling author of The Noble Hustle, Zone One, Sag Harbor, The Intuitionist, John Henry Days, Apex Hides the Hurt, and one collection of essays, The Colossus of New York. A Pulitzer Prize finalist and a recipient of MacArthur and Guggenheim fellowships, he lives in New York City.